In Gaia not the Goddess, an installation of sculptural objects packed tightly into the project space at Heide Museum, Isadora Vaughan continues her exploration of materials creating a speculative environment.
ART + CLIMATE = CHANGE 2019, an initiative of CLIMARTE, is a festival held across numerous museums, galleries and public spaces in Melbourne and regional Victoria.
The set-up of Lydia Wegner’s staged photographs is unassuming. Cast from readymade materials the results are otherworldly.
Adelaide//International finds artists raising the question of who holds the power of narration in a series of four solo exhibitions.
With a resolutely civic ethos, Simon Terrill photographs outdoor spaces staged with everyday people.
Sherbet pink, spray painted white, scribbles and muted text are some of the colours and images that dance across the canvases of Sarah crowEST’s recent paintings.
Open Window, an exhibition by the artist collective Gavin Bell, Jarrah de Kuijer and Simon McGlinn at West Space in Melbourne, consisted of altered interior architecture, sculptures and wall works.
Quiet and considered movement and gesture pervade Gabriella and Silvana Mangano’s lyrical, mainly video based, practice.
Despite the health risks associated with smoking, the act has played a shifting emblematic role across cultural history.
Her/e, an exhibition by Cate Consandine at Sarah Scout Presents in Melbourne, was riddled with dense ambiguous zones within both landscape and psychological-scapes.
How to make her long-term partner Chris Wallace-Crabbe’s poem The Universe Looks Down into a cohesive and interesting set of art pieces was Kristin Headlam’s central concern when creating her series of etchings that function together as an artists’ book, and as works in themselves.
Flower Feelings, a new zine by Adelaide-based artist Lucy Thomas which combines the symbolic meaning of flowers with personal anecdotes, is being launched as part of the exhibition Magic Zine: YOU ARE ART at Murray Bridge Regional Gallery.
