Tracey Clement is an artist and freelance writer. She has a PhD in contemporary art, as well as a diploma in jewellery design, an undergraduate degree in art history-theory and a master’s degree in sculpture.
“Sometimes it’s like I have a big spinning sort of feeling in my body: hard to soft, angles and sharpness, then really beautiful and cuddly and soft.”
Wrestling with both excessive consumption and planned obsolescence in technology, New for Old takes as its starting point the cathode-ray tube TV.
As the fascination for seeing artists at work grows, galleries are creating opportunities to view the creative process in real time.
Both Artspace, in the Gunnery building in Woolloomooloo, and the 19th and 20th-century AGNSW buildings will be undergoing renovation in 2021.
Brenda May is about to shut the doors on her MAY SPACE gallery in Sydney, but she is most definitely not closing up shop.
“A big part of art is sharing it with others. Painting is only art while someone is looking at it; that is already a collaboration between the artist and the audience.”
For three decades Lisa Roet has used drawing and sculpture to highlight the similarities between humans and apes—close relations with whom we share 98% of our DNA.
After Victoria’s lengthy lockdown, Anna Schwartz has reopened with not one, but two exhibition spaces in her Melbourne gallery.
Alex Seton is known for his marble sculptures. These carved stone works often mimic the soft folds of fabric, but they have a hard political edge.
Anywhere but here: MCA Primavera Acquisitions presents a tightly curated selection of works by 13 Primavera alumni, chosen for their ability to comment on our current moment.
Turning 30 is a major milestone, well worth celebrating. So Linden New Art is throwing an online party to mark three decades of their annual award exhibition, the Linden Postcard Show.
