Steve Dow is a Melbourne-born, Sydney-based arts writer, whose profiles, essays, previews and reviews range across the visual arts, theatre, film and television for The Saturday Paper, Guardian Australia, The Monthly, the Sydney Morning Herald, The Age, Sunday Life, Limelight and VAULT.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
It All Started With a Stale Sandwich is a documentary about the 50-year history of Kaldor Public Art Projects, made by London-born, Sydney-based film director Samantha Lang.
D’Souza will be showing a body of new work in an exhibition titled with three emojis: a pizza slice, praying hands and a heart, as in Eat, Pray, Love.
Revealed provides fertile ground for emerging Indigenous artists to exchange ideas, showcase diverse practices and sell work.
Melbourne-based curator and art historian Elizabeth Cross is less known for her own work as an artist, but this identification is shifting with the opening of her exhibition, Arborescent, at the Australian National University’s Drill Hall Gallery.
Brook Andrew has announced the first 33 artists, creatives and collectives who will participate in the next BOS, many of whom are First Nations artists.
Edmund Capon, who has died at the age of 78, served for 33 years as director of the Art Gallery of New South Wales (AGNSW), an institution with which his name remains indelibly linked.
Showing in Adelaide, Roger Ballen’s works have caught the world’s attention with their apocalyptic, disturbing and dreamlike air.
The first Sanaa Festival was held in Adelaide in 2017. This year, six African artists are being flown to Australia and more will have work in the Sanaa Exhibition, which is part of the Adelaide Fringe festival.
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Both Frida and Diego were productive and intensive artists, so they collected photographs as iconography to paint from.
