Briony Downes is an arts writer based in Hobart. She has worked in the arts industry for over 20 years as a writer, actor, gallery assistant, art theory tutor and fine art framer. Most recently, she spent time studying Art History through Oxford University.
The photographic works of Polixeni Papapetrou and Petrina Hicks traverse themes of womanhood, childhood and mortality.
John Scurry’s small paintings are formless and atmospheric, evoking only a suggestion of landscape or the misty hues of dawn.
Embracing the current push led by museums, galleries and public collections to highlight the work of women artists, Lisa Fehily has opened Finkelstein Gallery, an all-female commercial art space in Melbourne.
More than 90 Australian and international galleries are taking part in Sydney Contemporary 2019. The competition for attention can be likened to an arena of visual titans, with galleries prominently displaying their biggest and most bankable artists.
Looking at the way sound and music can influence art making and storytelling, Lucreccia Quintanilla highlights the sounds of nature within the urban environment of Melbourne.
Far from being a clunky display of papier-mâché heads and oil paintings of flowers, the contemporary Year 12 art exhibition incorporates multiple artforms produced with impressive technical skill.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Unearthing relationships between the depictions of Western Australian flora and the state’s Indigenous, colonial and future legacy.
To augment the visual appeal of his paintings, Dale Frank works directly onto glass and Perspex to capture a reflective element canvas does not offer.
Now in its seventh year, Dark Mofo transforms Hobart into a red-hued spectacle of art, food and music.
Urs Fischer’s four-metre red wax sculpture, Francesco, 2017, is designed to be lit and slowly melted like a candle. Recently acquired by the National Gallery of Australia (NGA), the sculpture’s decomposition is being documented on social media—and attracting lively discussion.
Curated by Dr Pat Hoffie and Rosemary Miller, The Partnershipping Project brings together 20 installations, a database of interviews with artists, commissioned essays, and community workshops.
Get the latest news delivered straight to your inbox.
