The Art Guide Australia editorial team consists of Anna Dunnill, Tiarney Miekus, Tracey Clement and Kim Butterworth.
Congratulations to Marikit Santiago, who has won the 2024 La Prairie Art Award for her two works A Seat at the Table (Magulang) and A Seat at the Table (Kapatid).
The 2024 Glover Prize has been announced, with Tasmanian-based artist Nicholas Blowers taking home the $75,000 prize for his painting Lake Bed.
White Rabbit Gallery’s latest multimedia exhibition, A Blueprint for Ruins, explores the ongoing destruction and renewal of urban spaces in modern China, with works from over 20 contemporary Chinese artists.
The new queer photography festival Queer PHOTO takes over Melbourne’s West, featuring the likes of Peter Waples-Crowe, Salote Tawale and Karla Dickens.
George Byrne’s artwork has an otherworldly quality to it, blurring the lines between natural and artificial through photography, collage, and digital manipulation. His latest exhibition, Synethetica, is now showing at Olsen Gallery.
The Ian Potter Centre: NGV Australia is exploring the photographic lines of illusion and truth from via international icons—Man Ray, Cindy Sherman, Wolfgang Tillmans, Gilbert & George and Nan Goldin—to Australian masters like Max Dupain, Olive Cotton, Mervyn Bishop, Polly Borland and Darren Sylvester.
The annual Walkley Awards for Excellence in Photojournalism act as something of a mirror to society—reflecting back the year we had through photographs. The exhibition of the 2023 winners is currently on display at the State Library of Victoria.
In her first major solo exhibition, now showing at Carriageworks, Salote Tawale brings together painting, sculpture, and karaoke in an expansive installation that explores identity and memory.
This summer the Art Gallery of New South Wales is showing the largest Louise Bourgeois survey ever exhibited in Australia. We asked five Australian artists influenced by Bourgeois to each write about one artwork in the exhibition.
In a collaboration with Two Good Co, Leanne Xiu Williams’s sumptuous still life paintings act as chapter openers and end papers for their new cookbook Changing the Course. The paintings themselves are now on display at Saint Cloche for an exhibition of the same name.
A new exhibition at Geelong Gallery, in partnership with the Art Gallery of South Australia’s Tarnanthi program, tells the stories of the women artists from the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.
