Anna Dunnill is an artist and a writer based in Naarm (Melbourne). She works with textiles, ceramics and tattoo. Anna is also one half of collaborative duo Snapcat.
The Perth Institute of Contemporary Arts has reopened its doors with Hatched 2020 National Graduate Show.
Through mythology and folklore, Julia Robinson’s sculptures reflect and question our history and present.
This week for ‘Your weekly online art list’ our print editor Anna Dunnill recommends online art highlights including Always was, always will be, a ‘pocket exhibition’ on the Art Gallery of New South Wales website, Kolour Me Kweer: a glittering celebration of diversity at Blacktown Arts, a conversation between Yhonnie Scarce and the National Gallery of Victoria’s curator of Indigenous art, new works by Yukultji Napangati at Utopia Arts, and much more.
The First Nations Arts Awards recognise the lifetime achievements and outstanding creative practices of First Nations artists across Australia.
Now that we’re all confined to our living spaces, Jenna Pippett and Tanya Lee are taking the shift philosophically at Adelaide Central Gallery.
This week for Your weekly online art list our print editor Anna Dunnill recommends online art highlights including Sidney McMahon’s latest exhibition viewable online at the Goulburn Regional Gallery website, virtual art jigsaw puzzles from Bunbury Regional Gallery, Next Wave launching their ASSEMBLE! program, lockdown responsive texts from Contemporary Art Tasmania, and much more.
There was shock and surprise this week at the announcement that Carriageworks, Australia’s largest contemporary multi-arts venue, has gone into voluntary administration.
In our new world of hibernating and social distancing, galleries are full to bursting with virtual exhibition tours, podcasts, interviews with artists and curators, videos, and more. Stay tuned, each week one of the Art Guide editors will bring you a selection of online art highlights.
Trent Walter has run Negative Press, a publisher of limited-edition prints and artist books, for over a decade. Now, for the 22nd Biennale of Sydney, Negative Press is home to a new piece of equipment—the Heidelberg GTO 52, an offset lithography press—and a new collaboration with designer Stuart Geddes to produce a publication, NIRIN NGAAY.
In The Long Kiss Goodbye, six artists transform old artworks, materials, ideas and images.
Outside Painting explores the messy boundaries between life and art.
Raquel Ormella has wielded a needle to chart our cultural landscape in all of its intensities.
