Anna Dunnill is an editor for Art Guide Australia, an artist and a writer based in Naarm (Melbourne). She works with textiles, ceramics and tattoo. Anna is also one half of collaborative duo Snapcat.
Now that we’re all confined to our living spaces, Jenna Pippett and Tanya Lee are taking the shift philosophically at Adelaide Central Gallery.
This week for Your weekly online art list our print editor Anna Dunnill recommends online art highlights including Sidney McMahon’s latest exhibition viewable online at the Goulburn Regional Gallery website, virtual art jigsaw puzzles from Bunbury Regional Gallery, Next Wave launching their ASSEMBLE! program, lockdown responsive texts from Contemporary Art Tasmania, and much more.
There was shock and surprise this week at the announcement that Carriageworks, Australia’s largest contemporary multi-arts venue, has gone into voluntary administration.
Whether filming her parents, making casts of precious family objects, or screen printing her mother’s hummus recipe onto a stack of Bunnings rugs, Lara Chamas’s work resonates with humour, warmth and tenderness.
In our new world of hibernating and social distancing, galleries are full to bursting with virtual exhibition tours, podcasts, interviews with artists and curators, videos, and more. Stay tuned, each week one of the Art Guide editors will bring you a selection of online art highlights.
Trent Walter has run Negative Press, a publisher of limited-edition prints and artist books, for over a decade. Now, for the 22nd Biennale of Sydney, Negative Press is home to a new piece of equipment—the Heidelberg GTO 52, an offset lithography press—and a new collaboration with designer Stuart Geddes to produce a publication, NIRIN NGAAY.
In The Long Kiss Goodbye, six artists transform old artworks, materials, ideas and images.
Outside Painting explores the messy boundaries between life and art.
Raquel Ormella has wielded a needle to chart our cultural landscape in all of its intensities.
A jeweller friend remarked to me that if you come across work in a jewellery show and can’t immediately recognise who made it, it is probably by Lisa Walker.
Through a range of forms including sculpture and video, four artists from East Asia, Australia and New Zealand look at surveillance, artificial intelligence and the economies that drive, and are driven by, the global technology market.
When Angelica Mesiti debuted her acclaimed 2012 video work Citizen Band at the Australian Centre for Contemporary Art, then-director Juliana Engberg told her quietly at the opening, “I’m going to take you to Venice.” It took a few years, but Engberg was true to her word.
Get the latest news delivered straight to your inbox.
