Anna Dunnill is an editor for Art Guide Australia, an artist and a writer based in Naarm (Melbourne). She works with textiles, ceramics and tattoo. Anna is also one half of collaborative duo Snapcat.
In The Long Kiss Goodbye, six artists transform old artworks, materials, ideas and images.
Outside Painting explores the messy boundaries between life and art.
Raquel Ormella has wielded a needle to chart our cultural landscape in all of its intensities.
A jeweller friend remarked to me that if you come across work in a jewellery show and can’t immediately recognise who made it, it is probably by Lisa Walker.
Through a range of forms including sculpture and video, four artists from East Asia, Australia and New Zealand look at surveillance, artificial intelligence and the economies that drive, and are driven by, the global technology market.
When Angelica Mesiti debuted her acclaimed 2012 video work Citizen Band at the Australian Centre for Contemporary Art, then-director Juliana Engberg told her quietly at the opening, “I’m going to take you to Venice.” It took a few years, but Engberg was true to her word.
Rosslynd Piggott is drawn to substances that are slippery, liminal. They flow between states, take shape when held. My notes from her survey exhibition, I sense you but I cannot see you, read like a list of ingredients for a spell.
For The National, Tara Marynowsky has taken to “redirecting” a slew of 1990s film trailers, giving the female protagonists greater agency.
Elucidated with a level of technical finesse that Loxley describes as “dazzling,” Cassils’ work is fierce, raw and unflinching.
Digging deep into this most universal of human experiences, LOVE at Melbourne’s Immigration Museum includes a wealth of objects from the Museum Victoria collection, as well as artworks and oral histories collected from the community.
Slipping between questions of constructed identity and culture, the agenda proposed by South/East Interference Vol. 2 is a bold and critical one.
Building on traditional knowledge and aesthetics, John Mawurndjul has established a thoroughly contemporary practice.
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