The five-star flag of the People’s Republic of China was designed with the idea of each star representing a revolutionary class: the working class, the peasantry, the urban petty bourgeoisie, and the national bourgeoisie. The fifth and largest star represents the Chinese Communist Party, suggesting that it unifies all four classes.
Yet, as the exhibition I Am the People at White Rabbit Gallery attests, China today faces huge economic and social disparities between the urban and rural populations, with ethnic minorities often feeling the brunt of this. In Sydney, 28 contemporary Chinese artists are addressing these inequities, questioning the limits of a class society and how the individual can make themselves seen and heard amongst the crowd.
While I Am the People focuses on the working class and manufacturing industry in China, it’s taken a few years to develop. “The idea was refined after I read a short novelette, Folding Beijing, by economist and award-winning science fiction writer Hao Jingfang,” says curator David Williams.
“Her dystopian megalopolis is split into rigid spaces and timeframes where people of different social classes and occupations inhabit the same city, yet they lead separate lives. It was a nice idea to see how the class structure in China (and globally) has changed since the inception of the CCP [Chinese Communist Party] in 1949.” This stratification in the novelette belies the urgent social and class questions pertinent to I Am the People.
The title of the show comes from an exhibiting piece, a video work by Li Xiaofei that interrogates the porous boundary between self and the other. Xiaofei has a long-standing practice of documenting the lives of the working class in factories and other industries across China. Six of his video works are being exhibited in I Am the People.
Other pieces range from painting to photography, from film to sculpture. “The artists are utilising incredibly varied practices and media to explore the divide between the social classes from the poverty stricken to politicians, labourers and ethnic minorities, to clubbers and cowboys,” says Williams.
Among the exhibiting artists are Hailun Ma, a young Xinjiang photographer who documents her Uyghur and Urumqi neighbours; Ge Hui whose vibrant paintings are being exhibited for the first time; and Shyu Ruey-Shiann, who is displaying his evocative and melancholy installation Rivers of Childhood.
I Am the People
White Rabbit Gallery
(Sydney NSW)
30 June—12 November
Suggested Reading
About Face mirrors the alluring world of contemporary portrait painting
About Face is a smart piece of marketing. The new book on portrait painting from Australia and New Zealand has a mission to change buyers’ minds about the field. But as Jane O’Sullivan discovers, any sales pitch wears thin if it’s repeated often enough, and the close attention to how portrait painting is received by the market means that other important conversations fade to the background.
Jane O'Sullivan
Elizabeth Mbitjana Pitijana and inherited influence
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
Giselle Au-Nhien Nguyen
Icons from Italy
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
Art Guide Australia
Helen Mueller tells stories of the forest
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
Sally Gearon
The art of caring for our environment
A Delicate Terrain, a new exhibition of works drawn from the Tweed Regional Gallery collection, looks at our relationship with the environment through the lens of contemporary art.
Briony Downes
Emma Phillips on the building blocks of a practice
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.