Sally Gearon is assistant editor at Art Guide Australia. Based in Naarm/Melbourne, she has a background in art history and book publishing.
“I see my work as a research project,” says Agneta Ekholm. “I have a desire to reach into the unknown with each new painting.” Step inside her large-scale abstract paintings at Flinders Lane Gallery.
In Form and feeling, The Art Gallery of Western Australia takes key pieces of early 20th-century modern British and Australian painting from their collection and presents them alongside preparatory sketches and drawings, systematically creating a narrative of how a painting comes to be.
Joan Ross has long used her multidisciplinary practice to challenge the enduring legacy of colonialism in Australia. Her latest exhibition at the National Portrait Gallery shows significant works from throughout her career alongside key pieces from the NPG collection.
The quietly evocative new paintings of Gregory Hodge, now showing at Sullivan+Strumpf Sydney, are a lesson in the places where abstraction and figuration intersect.
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
For over four decades, Tony Clark’s painting practice has merged a deep appreciation for art history with a desire to push beyond the traditional confines of prescribed mediums. His latest exhibition at Buxton Contemporary focuses on sculpture—or the idea of it.
From Mark Rothko and Agnes Martin to Lindy Lee and Paul Knight, an exhibition at Ipswich Art Gallery uses the expanded field of abstraction to encourage deliberate and slow looking.
In two new exhibitions at the Art Gallery of New South Wales, René Magritte and Cao Fei speak to each other across cultures and eras about the way that perception can unsettle reality—and the places the real intersects with the surreal.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
