Matilda Davis’s newest exhibition at Hervey Bay Regional Gallery confronts the devastation that colonialism and capitalism have wreaked on Country.
Geelong Gallery is pairing renowned Australian artists Margaret Preston (1875—1963) with the contemporary Cressida Campbell, in exploration of their mutual affinity for the Japanese ukiyo-e print.
In her latest collection of works, now showing at Tactile Arts, Hunnah James incorporates shedded discards from local paperbarks trees into her watercolour paintings of native flora and fauna.
A new show at Craft Victoria asks six creatives—artists, makers, designers—to respond to aluminium as a material. All the aluminium used is recycled, highlighting the space’s new Conscious Craft initiative.
The beachside charm of the Gold Coast is getting the Renaissance treatment with the region’s major gallery, Home of the Arts (HOTA), exhibiting not “old master” paintings per se, but a series of multifaceted, immersive projections of works by Leonardo da Vinci, Michelangelo, Sandro Botticelli and Caravaggio, among many others.
Fabrication, a co-curatorial project now showing at DRAW Space, brings together 10 contemporary artists working in the intersections of drawing and digital fabrication.
Annika Harding’s latest work at NorthSite Contemporary Arts, focuses on the Atherton Tablelands, exploring the tension between natural beauty, relentless meteorological forces, and the built environment that supports local agricultural communities.
Parrtjima—the Northern Territory’s annual festival of lights at the Alice Springs Desert Park—is entering its ninth year, and this time the immersive festival’s focus is interconnectedness.
An exhibition at UQ Art Museum centres the relationship between culture, tradition and the ocean, and illuminates how intergenerational storytelling, tied to oceanic themes, might subvert settler-colonial narratives.
A collaboration between Perth Festival, DADAA gallery and studio, and four Japanese arts and disability organisations has resulted in A rising in the east—an exhibition that asks what artists with disabilities can achieve when offered the resources.
“Heat and gravity were as much the materials as the glass itself,” says Rosalind Lemoh on her latest show at Canberra Glassworks that explores new mediums and influences for the Gundaroo-based artist.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
