Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
A collection of full-scale concrete barriers, painted in Yves Klein’s trademark blue, rest in an untidy pile on a gallery floor.
A unique and unprecedented collaboration between four galleries in the Hunter region, the Hunter Red suite of exhibitions aims to celebrate the Indigenous culture, social diversity, iconoclastic spirit and creative flamboyance of this growing area of NSW.
Albert began as a trainee at the Queensland Art Gallery 17 years ago. His success was propelled by membership of proppaNOW – a Brisbane-based art collective. And he is eager to reciprocate the favour.
“Art has always served as a record of our cultural lives,” says artist Jane James when explaining the larger ideals behind her work.
John Young has embraced the potential of technology, even while continuing to paint the old-fashioned way – very carefully.
Hayley Megan French paints landscapes that express, via abstraction and minimalism, a connection to place.
As the title indicates, Embellish concentrates on the artist’s love of textiles and dressing up, and the show includes both her paintings and drawings of people in elaborate outfits as well as some actual costumes.
Presented by Sabbia Gallery and the Remote Communities Ceramic Network, Clay Stories brings together ceramics from 22 emerging and established Indigenous artists who work from remote Australia.
As the lift doors open on Tolarno Galleries, where Bill Henson’s latest collection of untitled photographs is currently on display, the subdued temple-like atmosphere is immediately affecting.
The group exhibition and performance program Into my Arms at ACE Open contemplates ‘the embrace’ in performance, installation and a series of new commissions.
“Painting is always fictional,” says Tony Lloyd when discussing the links between photography, painting and realism.
