Through perforations, rubbings, and Vietnamese Braille, Savanhdary Vongpoothorn’s 25-year practice gets under the skin—and the surface—of her materials.
In Rain Room, the environment controls us and we control it in an uneasy symbiotic relationship.
Turning Points is the third component of the NGV’s focus on China in its current program, showing alongside Terracotta Warriors & Cai Guo-Qiang and A Fairy Tale in Red Times.
We are living in urgent times courtesy of the climate crisis, with people from Pacific islands suffering more acutely than most.
The selection of Fiona Foley and Liu Bolin as the ‘headline’ artists for this year’s Ballarat International Foto Biennale in many ways beautifully sums up the spirit of this regional festival of photography.
Channels launches this year on 24 August with a showcase exhibition including artist Reko Rennie from Australia, London-Istanbul pair Noor Afshan Mirza and Brad Butler, and Almagul Menlibayeva who is based in Germany and Kazakhstan.
There is a concern for decolonisation, the environment and putting forward Indigenous perspectives, and championing a closer and more caring relationship with nature.
Invisible Threads places emphasis on Kotai’s more recent fabric collages, a technique she happened on by chance in the early 2000s.
Encompassing both created and found objects, jewellery, film, images, installation and sculpture, no surface holds marks the first time Catherine Truman’s science-influenced works have been brought together.
The winner of the 2019 Telstra Art Award is Djambawa Marawili AM with his work Journey to America.
Looking at the way sound and music can influence art making and storytelling, Lucreccia Quintanilla highlights the sounds of nature within the urban environment of Melbourne.
From Carolee Schneemann and Dieter Roth to Karla Dickens and Paul Yore, The Abyss takes a deep dive into art that disrupts and confronts, carving space for incongruencies to co-exist.
