Shiver
In Shiver, curator John Stafford notes that the shark has little profile in the history of art.
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In Shiver, curator John Stafford notes that the shark has little profile in the history of art.
This summer, the exhibition Water, which features 40 works by both Australian and international artists, asks visitors to take the time to really think about this precious resource.
An exhibition titled Animal Nation may, on the surface, presuppose a simply figurative display of animal life.
The notion of a worthy adversary is an ancient tradition. Matisse & Picasso narrates the artists’ intense mutual scrutiny, public disagreement and praise-via-appropriation.
Through subtle sculptural gestures, Jenny Loft offers meditations on place and the importance of environmental care.
Focusing on a particular setting to reach something universal preoccupies Joanna Logue, and she tries to achieve this in her solo show Floating World through landscape paintings that lean towards the abstract.
Insisting on the importance of the artist’s hand in giving a work vitality, Sydney artist Robert Klippel naturally made this evident in his distinctive sculptures.
Cementa19 will feature more than 40 artists making, exhibiting and performing in 20 venues across the town of Kandos, NSW, responding to its landscape, history, social, cultural and environmental context.
This exhibition by Hermannsburg potters looks back to the history of their Country in a way that is strenuously contemporary.
In paintings like Our Rocky Shore, 2019, Neil Haddon blends the soft textures of clouds with contrasting colours, creating a surface crackling with orange hues and the veined branches of trees.
Spearheaded in 2017 by Tasmanian ARI (artist run initiative) Constance, Hobiennale is a week-long arts festival uniting ARIs from across Australia and New Zealand via free exhibitions, projects and artists’ talks.
Anna-Wili Highfield’s art career began outside the gallery system…
