Art in rising temperatures
“Addressing climate change is a moral imperative … it is going to take a myriad of different approaches to address this crisis.”
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“Addressing climate change is a moral imperative … it is going to take a myriad of different approaches to address this crisis.”
Now that we’re all confined to our living spaces, Jenna Pippett and Tanya Lee are taking the shift philosophically at Adelaide Central Gallery.
“Extraordinarily beautiful and uplifting” works produced through The Torch program reveal artists connecting with culture, identity and Country.
The Body Electric explores the depth of what it means to have a material body capable of intimacy, sex and desire.
David Claerbout’s project Olympia, a digital rendition of the iconic Berlin stadium going to ruin over the course of a millennia, won’t be finished in his lifetime.
For ceramicist Glenn Barkley, the lagoon is “a swampy place where ideas come from”.
In The Long Kiss Goodbye, six artists transform old artworks, materials, ideas and images.
Agnieszka Polska shows how photography has a complicated relationship to ‘truth’.
Sancintya Mohini Simpson unpacks a family history of indentured labour.
Industrial design meets straw marquetry via the age-old game of ‘exquisite corpse’.
“Drones have become this metaphor for our fear of technology” – Matthew Sleeth
Part of the Melbourne Design Week (MDW) 2020 program, Partu is Jansen and Nargoodah’s latest collaboration.
