Barbara Cleveland is a mythic persona reclaimed from 1970s Australian art history. A new retrospective explores her ‘forgotten’ life and practice—which is to say, the forgotten practices of non-male creatives at large.
Hosted by Shepparton Art Museum (SAM), Sarah crowEST’s newest piece Sound Seen is currently online.
Curated by the Ballarat International Foto Biennale, the Mass Isolation project asks viewers in Australia, and most pertinently, at least right now, in Melbourne, to share their photographs of self-isolation with the tags #massisolation and #massisolationAUS.
Sydney Contemporary, in the absence of a physical version of the annual international art fair, is embracing digital possibilities with gusto with a new initiative, Sydney Contemporary Presents 2020, which is open online from 1-31 October.
Ann Debono’s layered paintings ask how time is experienced through historical artefacts and sites.
Playful and introspective, portraits from the Northern Beaches reveal a diverse artistic community.
Gangguan Tenggara – Edisi Indonesia is the fourth and final in Bega Valley Regional Gallery’s South/East Interference exhibition series.
Scars are evidence of injury, but they are also a mark of healing, resilience and survival.
In her day, Hester was not just overlooked due to her subject matter and gender, but also because she chose drawing as her medium.
In ACE Open’s 2020 South Australian Artist Survey If the future is to be worth anything, the Adelaide-based contemporary art gallery invited artists and collectives to create new work, embarking upon unrealised projects.
As a survey of textile artwork FIBRE presents a profusion of different themes, diving into process, tradition and community.
Parrtjima festival to light up Alice Springs in September 2020.
