Close to home: Dobell Australian Drawing Biennial 2016
Presenting the work of six artists, Close to home is the second Dobell Australian Drawing Biennial.
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Presenting the work of six artists, Close to home is the second Dobell Australian Drawing Biennial.
These locks are open confessions, vows taken to withstand time, intended to be part of the fabric of a place.
The Uncanny Valley is an alchemical and vibrant exhibition pondering the complexities of existence.
The title of Julia Robinson’s latest body of work, The Song of Master John Goodfellow, refers to French Renaissance writer Francois Rabelais’s notorious satirical novels The Life of Gargantua and of Pantagruel.
Ari Athans began her professional life as a working geologist and these concerns permeate her paintings.
Rather than focusing on the object of the photograph, Jafri takes on the subjectivity of a topic that, historically, has been deemed rather concrete: the days of national independence from colonial powers around the world.
Western Australian artist Miriam Stannage has spent a lifetime interrogating the world through her camera.
For the first major survey of contemporary Australian painting in a decade, the Australian Centre for Contemporary Art took an unexpected curatorial cue.
Refugees at Casula Powerhouse sheds light on to one of the most highly publicised areas of Australian politics: the ongoing refugee crisis.
Dug and Digging With is the result of a 12-month collaboration between emerging curators Katie Barber and Stan Mahoney and seven visual artists, writers and theorists whose practices are process-based and research-driven.
Maria Kontis uses drawing to change the past, to tell her own stories.
At the heart of this exhibition are three figurative works made in 2014. These were also key to his survey exhibition at Brisbane’s QUT Art Museum in 2015, and they reflect his activism and the ongoing trauma of the anti-communist purges in Indonesia in 1965.
