The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
Charles Blackman’s well-known Schoolgirls paintings are coming together for the very first time.
Brenda May started in 1985 with Access Contemporary Art Gallery. Now she is launching her third gallery, May Space.
Span brings together five artists based in Perth and Fremantle, to examine movement and distance.
March is Art Month in Sydney. With more exhibitions and events than you can poke a stick at, it can be hard to decide on a shortlist. Art Guide’s Naomi Gall offers her top 6 choices.
Patricia Piccinini may have made headlines with her Skywhale, 2013, or more recently with Graham, a sculpture used in education about road traffic accidents, but it’s her quieter works that make the biggest impact.
The exhibition tracks Warhol’s pre-pop output, beginning in 1949.
One of the first photos I saw of TextaQueen was a portrait of her standing in a red shortie jumpsuit, rainbow coloured felt-tip pens slung in a holster belt around her waist.
John Akomfrah’s immersive presentation of two major video works at John Curtin Gallery bears the weight and darkness of two different histories.
In Forgiving Night For Day, Capone’s new exhibition at Perth Institute of Contemporary Arts, saudade is palpable. Every note of it hangs in the air.
In STEEL: art architecture design, curator Margaret Hancock Davis narrows the field to focus on the innovations made by Australian designers and artists working in the 21st century.
Political Acts: Pioneers of Performance Art in Southeast Asia presents post-traditional performance practice that comments on the complex history and current affairs of the region.
