Future Eaters at Monash University Museum of Art considers not only what it means to make sculpture in our current digital age, but how sculpture connects to technology and the future.
The End of Time. The Beginning of Time, which closed in June, was the final show at Gertrude Contemporary in the street that gave the art gallery its name.
For her solo show Blood on Silk: Last Seen Davies has used 800 square metres of handmade silk paper to kit-out the Casula Powerhouse Arts Centre turbine hall, transforming the space into five makeshift hospital rooms.
It was Walter Benjamin who said that artworks have an aura: a quality to do with imagined closeness to the artist.
Frank Lloyd Wright’s suburban dream of Broadacre City is the nightmare within which many of us in the developed Western world now seem to live.
Featuring more than 60 artists across 25 galleries and museums, the one-night-only event aims to forge new contexts, relationships and experiences for artists and audiences.
In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
Viewing Robert Boynes’s paintings from the last five decades is like watching the joys and plagues of Western culture appear before our very eyes. Among the artist’s many engagements, there are concerns with technology, pleasure, modernism, urban alienation, imperialism, capitalism and the environment.
It’s quite strange that the opening of the Sydney Harbour Bridge in 1932 is also the year of greatest unemployment in Australian history.
While travel may offer change and new experiences and opportunities for discovery for Australian travellers, the forced migration of the hundreds of thousands of people in Europe is also acknowledged in a selection that includes artists as diverse as JMW Turner and Craig Koomeeta.
Australian constructivism, since its birth in the 1930s, built upon the legacy of both British and Russian constructivists, “by emphasising the material, spatial and technical aspects of art making, and by furthering the abstract language of geometric forms,” explains curator Sue Cramer.
The group exhibition, Greater Together, presents eight projects that make the most of synergistic energy.
