Jon Campbell’s practice is characterised by an avid interest in Australian vernacular, local and national iconography, popular cultural, colloquial sayings, graphic design tropes, vivid colours and negative space.
Showing at PS Art Space, the exhibition is the second instalment of the duo’s three-part Migratory Projects, which, as the name suggests, broadly deals with the aesthetic representation and experience of migration.
Black Magic explores queer Aboriginality from a critical perspective with a playful approach.
Tupou is known for his interest in pattern and repetition and vibrant images, originally inspired by his explorations of family, culture and identity in the Pacific.
Phillip England is a former population geneticist with the CSIRO. He took up photography five years ago and most of his images are produced with a large bellows camera.
Exquisite, faintly ominous ceramic objects merging plants and insects are at the centre of Angela Valamanesh’s exhibition Everybody’s Everything: Insect/Orchid.
Exhibiting painting and sculpture by contemporary Australian artists, Unreal City includes works by Tarik Ahlip, Bonita Bub, Mitch Cairns, Lewis Fidock, Thomas Jeppe, Anna Kristensen, Sanne Mestrom and Joshua Petherick.
Coinciding with QUT Art Museum’s inaugural holiday portraiture program, Draw It. Code It., Portray and Play is an exhibition of diverse figurative work focused on people and faces.
John A Douglas has created an imaginative correspondence between Dante’s journey through hell and Douglas’ own chronic illness and transplant experience.
By conflating the political, psychological and biological, O’Callaghan anchors the human body as a site to investigate protest and resistance.
Detail is important in a visual imagination, but it also punctuates an individual’s memory. This exhibition draws together artworks made since 2002 by Noel McKenna that are also highly personal and idiosyncratic maps.
Unfinished Business tracks the course of feminist art making in Australia, proposing new ways of addressing feminism’s legacy and trajectory.
