“A big part of art is sharing it with others. Painting is only art while someone is looking at it; that is already a collaboration between the artist and the audience.”
Weapons for the Soldier brings together 41 Indigenous and non-Indigenous artists to reflect on warfare and the inherent drive to protect Country, family and culture.
For three decades Lisa Roet has used drawing and sculpture to highlight the similarities between humans and apes—close relations with whom we share 98% of our DNA.
From Marlon Brando’s Triumph Thunderbird 6T in ‘The Wild One’ to the Harley-Davidsons of ‘Easy Rider’, motorcycles have, over the decades, given art and entertainment some pivotal, iconic moments.
Marian Tubbs moved from Sydney to the northern New South Wales town of Lismore in February this year, and already this new setting is weaving its way into her practice.
After Victoria’s lengthy lockdown, Anna Schwartz has reopened with not one, but two exhibition spaces in her Melbourne gallery.
Three of the University of Sydney’s significant cultural collections all have a new home within the Chau Chak Wing Museum.
Anywhere but here: MCA Primavera Acquisitions presents a tightly curated selection of works by 13 Primavera alumni, chosen for their ability to comment on our current moment.
On Our Country vividly shows how the Spinifex Artists have been reconnecting with waterholes and Dreaming sites that their families were forced to leave over half a century ago. Painting is one of many ways that their stories are retold and recorded.
Peta Kruger is familiar with waste anxiety, that stress phenomenon that implicates all of us in the crisis of over-consumption and our growing landfill scourge.
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
