Tarrawarra translates as ‘slow-moving water’, and the ‘TarraWarra Biennial 2021: Slow Moving Waters’ embraces slowness amidst an accelerating 21st century.
Through the characters Sox and Yow, artist duo Astro Morphs create videos that are equally cosmological and biological.
Famous for his slow-motion videos of skateboards, motorbikes, surf boards and BMXs, Shaun Gladwell’s newest art delves into something we’re all familiar with: domesticity and personal exercise.
After being closed for several years, the Western Australian Museum has reopened with a new name, Boola Bardip, and a renewed focus on a deeper understanding of Indigenous knowledge.
Yandel Walton wants us to be both alert and alarmed. Her exhibition Shifting Surrounds, at NorthSite Contemporary Arts, immerses visitors in the climate emergency.
Yayoi Kusama’s Narcissus Garden, on at multiple Sydney Living Museums sites, invites audiences to reflect on the pleasures and pitfalls of selfie culture.
The vibrant multi-disciplinary works of Noongar artist Patrick William Carter are, in their way, love stories: love of family, music, Country and culture.
Adam John Cullen views his sculptural vessels as a kind of biographical excavation: his latest show, Elton, references the name of his Grandmother’s childhood corgi-mix.
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
In his solo show at Macquarie University Art Gallery, Pandemic Bodies, Fan Dongwang tries to raise awareness of humanity’s shortcomings.
