Time has revealed itself in new ways during the pandemic. In Time Feeling Slippy, artist David Booth, also known as Ghostpatrol, uses bold colour-block paintings to explore this strange phenomenon.
A sense of the uncanny echoes through many of the works in Real Worlds: Dobell Australian Drawing Biennial 2020.
Khadim Ali traces the lines that keep us apart in Invisible Border, his largest solo show to date, at the Institute of Modern Art in Brisbane.
A faux Esther Williams gets a Brazilian butt lift in Meat Mirror, a schlock horror collaborative show by Jay Younger and Lisa O’Neill in the 2021 Brisbane Art Design (BAD) festival.
After three decades of playing with colour, Jurek Wybraniec has pared his materials back to ink on paper for a fresh, diaristic exploration of the monochrome.
What drives artists to devote entire careers to perfecting techniques, pushing mediums, expanding material processes?
Dale Harding collaborates for the first time with his mother Kate in Through a Lens of Visitation at Monash University Museum of Art (MUMA). Together they explore their relationship to Country and ponder issues of access.
Georgia Banks has eligible contestants lining up…for a chance to win exclusive control over the artist’s funeral and remains.
Not everyone can spot beauty in a recipe, but Nadia Hernández has the heart of a poet.
From cartoon characters to fetishistic obsessions and aqua blue swimming pools, Rob McLeish channels online imagery into a suite of intense drawings in his solo show Distortions at Neon Parc – Brunswick.
Sydney’s White Rabbit Gallery has reopened with a new exhibition centred on an elemental force: light.
