In Part II of Mike Parr’s solo exhibition Half Way House, at Anna Schwartz Gallery, the artist’s earlier performances haunt the space creating disorientating echoes.
For over 35 years Badtjala artist Fiona Foley has created powerful art on the atrocities of colonialism. Now, the artist has a major survey at QUT Art Museum.
In the group show PIVOT II at Onespace Gallery, artists make books that jump out of their bindings and on to the walls.
Sara Maher is drawn to isolated terrains, immersing herself in the reflective solitude of Tasmanian landscapes. At Bett Gallery, Maher reflects on her deeply affective connection to land.
In its touring program Freighting Ideas, the Art Gallery of Western Australia (AGWA) is sending its artworks on an ambassadorial tour throughout Western Australia to near and distant regional galleries.
Initiated by the JamFactory and touring Australia, CONCRETE brings together 21 projects by artists, architects and designers to explore the conceptual, expressive and material qualities of concrete.
In the group show The Other Portrait, at both UTS and SCA galleries, artists/curators Cherine Fahd and Julie Rrap explore the idea that ‘the other’ is always about the self.
Jennifer Keeler-Milne rediscovered her love of oil paint thanks to wattle, leaves, and lockdown. Autumn & Spring, at Australian Galleries in Sydney, is her first solo show of paintings in nearly a decade.
Ruth Höflich’s latest show, To Feed your Oracle at Linden New Art, started with research on magicians, but she prefers cunning and conjuring to magic.
Jeweller Blanche Tilden has spent 25 years adorning people with unusual materials—from glass and metal to computer parts and bicycle chains.
