Elvis Richardson is known as a feminist artist and activist. But when she met writer Anna Dunnill they discovered that they both also have a passion for crime, or at least detective stories.
In Familiar Stranger, Australian and international artists grapple with the at times unsettling act of coming home.
My first experience of Cementa in Kandos, NSW, (at the base of Combamolang Mountain) was Cementa 2015, its second iteration. The Twilight Girls (Jane Polkinghorne and myself) were invited to exhibit and we were collaborating with Mark Shorter in his guise as Renny Kodgers.
An overview of contemporary Australian art, Sydney’s The National: New Australian Art 2017 includes crucial works by Indigenous artists, Karla Dickens and Archie Moore.
In our third feature story on artists and writers with shared interests, Indigenous artist Judy Watson and writer Louise Martin-Chew reminisce about childhood holidays on Stradbroke Island, just off the coast near Brisbane.
Exhibitions range from a William Eggleston portrait show touring from London to local emerging artist Zoë Croggon’s new video/sculpture/collage/installation work that has a strong relationship to more traditional photography.
Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith were Making Modernism.
Sydney Ball was a guiding hand and mentor for the gallery and its younger artists, says Strumpf. “We loved him; he was part of our family. He was always there for counsel, and he forged some beautiful friendships with some of our artists.”
A sprawling exhibition sees 20 bronze sculptures by Rodin form the axis for a cross-historical dialogue on the body.
A US-curated exhibition finds a home in Adelaide, where it examines the human impact on the world’s oceans.
In the second feature from our series which pairs writers and artists that share a passion, Art Guide’s Louise Martin-Chew and Queensland artist Michael Zavros discuss their mutual obsession with exercise, as well as gym culture and the age-old allure of the body beautiful.
For former solder and dissenter Guo Jian, rubbish-choked rivers bear witness to both the environmental and cultural damage of consumerism.
