Andrew Nicholls walked the ruins of Hadrian’s Villa, partied in Venice, wore britches and white makeup in the piazze and hiked up aching-to-erupt volcanoes. Hyperkulturemia collects the artist’s forays into the romance and revelry of the tour.
Showing in Adelaide, Roger Ballen’s works have caught the world’s attention with their apocalyptic, disturbing and dreamlike air.
Adelaide//International finds artists raising the question of who holds the power of narration in a series of four solo exhibitions.
Hoda Afshar trains her lens into dark, forbidden corners of the globe, undermining the structural power of the medium.
On the ground in Washington DC, Australian artist Georgia Saxelby is rallying for participation in both art and feminist discourse.
Love and Desire at the National Gallery of Australia (NGA) will bring 100 Pre-Raphaelite paintings, drawings and decorative objects to Canberra.
…A lie that makes us realise truth, or so said Picasso. Five timely new projects delve into the narrowing fissure between fact and fiction.
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Japanese artist Takehito Koganezawa joins Mira Gojak in taking an expanded look at drawing, setting it free with film and movement.
Slipping between questions of constructed identity and culture, the agenda proposed by South/East Interference Vol. 2 is a bold and critical one.
The truth is often a bitter pill. As Australian history is re-examined, Judy Watson brings her artistic sensitivity and intimate knowledge to it.
Wegman’s portraits are more than just uncanny curios. He treats each of his subjects with the kind of respect that is typically afforded to a human sitter, and the kind of candour that is only afforded to man’s best friend.
