Between Heaven and Earth
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
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A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Japanese artist Takehito Koganezawa joins Mira Gojak in taking an expanded look at drawing, setting it free with film and movement.
Slipping between questions of constructed identity and culture, the agenda proposed by South/East Interference Vol. 2 is a bold and critical one.
The truth is often a bitter pill. As Australian history is re-examined, Judy Watson brings her artistic sensitivity and intimate knowledge to it.
Wegman’s portraits are more than just uncanny curios. He treats each of his subjects with the kind of respect that is typically afforded to a human sitter, and the kind of candour that is only afforded to man’s best friend.
Family and national history are tied up for Phuong Ngo, who has amassed an archive tracing Vietnam’s tumultuous past.
The Asia-Pacific region might be an uncertain construct, but Brisbane’s Asia-Pacific Triennial is about knowing our neighbours and ourselves.
Gothic Beauty at Bendigo Art Gallery shows the enduring lure of the elaborate yet sombre aesthetic, particularly fitting for the Victorian goldrush city.
Oron Catts and Ionat Zurr present Biomess where animal oddities, living tissues and mysterious organisms penetrate the science/art divide.
David Goldblatt unblinkingly captured South African history over 70 years, yet his photographs reveal a universality of human experience
The Contiguity of Totalisation is a multimedia exhibition by three queer artists (Tarzan JungleQueen, Matthew van Roden and Koulla Roussos) that is currently showing in Ballarat as part of the 2018 Biennale of Australian Art (BOAA).
Wendy Sharpe and Bernard Ollis present the East in its everyday hues rather than as the fabled other.
