Ten and Twenty
White Rabbit Gallery has pulled off a neat trick. As the Sydney-based institution celebrates its 10th anniversary, it manages to feel both venerable and fresh.
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White Rabbit Gallery has pulled off a neat trick. As the Sydney-based institution celebrates its 10th anniversary, it manages to feel both venerable and fresh.
Kaldor Public Art Projects marks a half-century of civic-minded, boundary defying art.
Adelaide artist Louise Haselton creates sculptures using unexpected materials that land in carefully orchestrated balance.
In two new projects, Julie Gough continues her excavation of Tasmania’s First Nation history and the impact of colonisation.
The Margaret Olley survey show at Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is subtitled A Generous Life, but it could just as easily have been called Margaret Olley: Rebel.
Far from being a clunky display of papier-mâché heads and oil paintings of flowers, the contemporary Year 12 art exhibition incorporates multiple artforms produced with impressive technical skill.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
Unearthing relationships between the depictions of Western Australian flora and the state’s Indigenous, colonial and future legacy.
Works by Australian and international artists suggest that doubt and vulnerability, though long perceived as weaknesses, can make room for desire and transformation.
It All Started With a Stale Sandwich is a documentary about the 50-year history of Kaldor Public Art Projects, made by London-born, Sydney-based film director Samantha Lang.
