The Hills Have Whys
Unidentified fossils discovered in the Flinders Ranges form the basis of an exhibition by Berlin-based artist, Mariana Castillo Deball.
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Unidentified fossils discovered in the Flinders Ranges form the basis of an exhibition by Berlin-based artist, Mariana Castillo Deball.
The photographic works of Polixeni Papapetrou and Petrina Hicks traverse themes of womanhood, childhood and mortality.
In The Work, the focus is on the labouring body. How do bodies act and react when they are put to work? What might this reveal about physical strength and limitations, power dynamics and social relations?
Barnaby Smith takes an in-depth look at River on the Brink: inside the Murray-Darling Basin, an exhibition focused on the continued devastation of the Murray-Darling Basin.
White Rabbit Gallery has pulled off a neat trick. As the Sydney-based institution celebrates its 10th anniversary, it manages to feel both venerable and fresh.
Kaldor Public Art Projects marks a half-century of civic-minded, boundary defying art.
Adelaide artist Louise Haselton creates sculptures using unexpected materials that land in carefully orchestrated balance.
In two new projects, Julie Gough continues her excavation of Tasmania’s First Nation history and the impact of colonisation.
The Margaret Olley survey show at Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is subtitled A Generous Life, but it could just as easily have been called Margaret Olley: Rebel.
Far from being a clunky display of papier-mâché heads and oil paintings of flowers, the contemporary Year 12 art exhibition incorporates multiple artforms produced with impressive technical skill.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
