The Uncanny Humour of Destiny Deacon
Revealing truths through rescued kitsch.
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Revealing truths through rescued kitsch.
Two artists are test the limits and possibilities of going ‘plastic-free’
An exhibition focussed on so well-worn an artistic motif as flowers might, on the face of it, appear to be swimming against the tide of the current zeitgeist.
Margolles insists that she isn’t an activist. “I am an artist and I use all the limitations of an artist,” she says.
Photojournalist Barbara McGrady tells the stories behind her renowned images.
“As an Armenian, the concept of exile and genocide is not unfamiliar.”
Through a classical Filipino dance form featuring long metal fingernails, artist Bhenji Ra explores the passing down of cultural knowledge.
Shell stringing is not only women’s business – it’s a defining, unbroken tradition for Tasmanian Aboriginals.
As an abstract painter with an enduring interest in modernism, John Nixon has always enjoyed exploring and absorbing material from allied fields.
Creating a kaleidoscopic vision of Australia, John Prince Siddon’s works dance on the edges.
After years of imbalance, the time has finally come for the arts sector to achieve greater gender equality. But will it be more than a hashtag?
Seeking out inhospitable environments, Eloise Kirk is drawn to the unpredictable.
