Patterns of Adaptation
Suspended in an uncertain ‘new normal’, artists continue to find ways to work.
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Suspended in an uncertain ‘new normal’, artists continue to find ways to work.
Inspired by being in lockdown, South Australian gallerist Paul Greenaway initiated an international online project. Sheridan Hart spoke to him, and two of the artists involved, about using art to cross borders and bring comfort.
Piccinini places human and non-human creatures in relationships that are as loving and empathic as they are unnerving.
Working with textiles and bronze, Teelah George uses her smartphone to capture her new life in Melbourne.
Through the stark aesthetic of his smartphone images, Lawrence English provides a striking take on life during lockdown.
While he firmly established a specific vision for the art he wanted to make, John Nixon always remained an artist who loved to experiment and explore.
Working between Melbourne and Bangkok, Lesley Dumbrell has sent us snaps of home life: creating, gardening and pets.
Curious, mystical, humourous and bittersweet, Willoh S. Weiland uses her smartphone to give us a sense of living and working in Hobart.
Living and working from Mimili in the APY Lands, Robert Fielding, via his smartphone, shows us the beauty of his surrounds.
Lightning bolts, textiles painting, Sonic Youth, smiley faces and sculpture: with her smartphone, Nell has captured her life and art making in her Sydney home.
Using her smartphone, Julia Robinson is giving us a look into her life and practice: her textiles, her cat Chewbacca, and where she lives and creates.
Hard and soft, volatile and permanent; Teelah George plays with paradoxes in textiles and bronze.
