In her day, Hester was not just overlooked due to her subject matter and gender, but also because she chose drawing as her medium.
In ACE Open’s 2020 South Australian Artist Survey If the future is to be worth anything, the Adelaide-based contemporary art gallery invited artists and collectives to create new work, embarking upon unrealised projects.
Neighbour – a friendly, flirty chat bot who is centred on uncovering one potent question: how does it feel?
The next Melbourne Art Fair has been rescheduled from 2021 to 2022.
The 2022 Biennale of Sydney is tipped to focus on sustainability and collaboration, with Colombian curator José Roca leading the way.
Suspended in an uncertain ‘new normal’, artists continue to find ways to work.
As a survey of textile artwork FIBRE presents a profusion of different themes, diving into process, tradition and community.
Parrtjima festival to light up Alice Springs in September 2020.
Oracle, Brigita Ozolins hopes, may point to a potential future of positive change.
Inspired by being in lockdown, South Australian gallerist Paul Greenaway initiated an international online project. Sheridan Hart spoke to him, and two of the artists involved, about using art to cross borders and bring comfort.
Piccinini places human and non-human creatures in relationships that are as loving and empathic as they are unnerving.
Billy Missi believed in the power of art to make change.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
At the City of Coffs Harbour’s Yarrila Arts and Museum (YAM), science meets speculation in the liminal space between nature and the human world.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
At 90, Janet Dawson has spent a life drawn to the light and energy of the natural and celestial worlds as she crosses boundaries of abstraction and figuration. A retrospective at the Art Gallery of New South Wales charts the evolution of her practice.
