Kenny Pittock’s work seems relatable and commands us to look at the minutiae of every life. In the latest episode of our conversation series he talks about the organic use of humour in his work, while also touching upon his upcoming drawing residency at Deakin University Art Gallery.
Dreams and the subconscious are themes Joel Crosswell returns to often. His drawings and sculptures reference biographical events with a dreamlike sensibility where abstract elements of the natural world filter through his images.
Visual artists Pat Brassington and Nigel Helyer have both been honoured with awards from the Australia Council in 2018.
Lisa Sewards’s interest in parachutes stems from family lore. Her mother, who spent several childhood years in a European refugee camp, related a memory from that time of finding a silk parachute left over from the war.
“The past is a foreign country: they do things differently there,” or so goes the oft-quoted first line of LP Hartley’s 1953 novel, The Go-Between. But when it comes to video art, the past is more like a galaxy far, far away. This is made abundantly clear in Cinemania, a survey show spanning three decades of video and photography by New Zealand artist Lisa Reihana.
In its inaugural exhibition, Buxton Contemporary is looking into the future, with art as a Wellsian device, and artists, the soothsayers.
Congratulations to Ceara Metlikovec for winning the 2018 Adelaide Perry Prize for Drawing.
There’s a rich and long history behind cameraless photography yet it continues to beguile, and recently, divide the public.
ACE Open will exhibit Waqt al-tagheer, a show which ponders temporality while amplifying the voices of Eleven, a new collective of Muslim Australian artists.
Landing in Bendigo following a lengthy tour of Japan, Marimekko: Design icon 1951–2018, documents the 60-year story of the seminal Finnish label.
Dark Imaginings: Gothic Tales of Wonder spans rare books and music, and further includes prints by Henry Fuseli, Salvator Rosa, G.B. Piranesi, Francisco Goya and Charles Méryon.
The National Gallery of Victoria has confirmed that Wilson Security will no longer provide services to the institution.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
