For three decades Janet Laurence has been lauded for her simultaneously conceptual but also emotive approach to nature. In our interview she talks about being a female artist dealing with nature, and what it means to create ecological art in a time of great environmental threat.
In 2019 the Australian Design Centre invited ceramicist Prue Venables to exhibit a new collection of her enigmatic, metal-augmented porcelain objects as part of their Living Treasures series. The exhibition is still touring the nation and has recently arrived at Design Tasmania.
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
Painter Jack Lanagan Dunbar uses copper and gestural mark-making to capture both the folly of humanity and the awesome power of nature in his solo show Signal, part of Art Month Sydney.
In his solo show at Macquarie University Art Gallery, Pandemic Bodies, Fan Dongwang tries to raise awareness of humanity’s shortcomings.
Newly announced NGV 2021 season includes both local and international impressionism.
Gabriella Hirst’s latest video takes influence from an 1800s painting of the Darling River, questioning why we immortalise nature in painting, but not in life.
Curator Tim Riley Walsh talks about bringing together Queensland artists to picture climate disasters that are beyond the limits of perception for On Fire: Climate and Crisis at the Institute of Modern Art (IMA).
Despite the barriers to international travel, New York artist Robin Frohardt is bringing her ecological art installation—centred on plastic bags—to Adelaide.
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