Feature
Flow of Language, Flow of Life
Why Joi T. Arcand wants you to learn the Cree language.
Stranger, at the Tasmanian Museum and Art Gallery (TMAG), is a survey show which offers an insight into the way David Keeling sees Tasmania.
With organza, tulle, empty photo frames and ash, Sonja Porcaro gently peels back the divergent histories of Sauerbier House and Ngangkiparinga, the adjacent saltwater river.
Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread.
Constructing Landscape: urban visions reflects a new chapter in the nation’s consideration of how the urban environment might be represented.
The Blade explores the Australian history of lawn from kangaroo grass to the footy field; the scythe to the electric mower; the suburban Hills Hoist to the sweeping verdure of state buildings.
Developed by the Dax Centre, an institution which focuses on using art to reduce the stigma surrounding mental health issues, Child and Mother is an exhibition reflecting on childhood trauma, motherhood and the relationships we form.
Featuring Aboriginal artists Judy Watson and Yhonnie Scarce, Looking Glass brings together beautiful objects with a sting in the tail.
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