Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
At 90, Janet Dawson has spent a life drawn to the light and energy of the natural and celestial worlds as she crosses boundaries of abstraction and figuration. A retrospective at the Art Gallery of New South Wales charts the evolution of her practice.
Over 70 fabulous garments of exquisite craftsmanship – some made of silk with gold and silver embroidery and dazzling designs – have been assembled within a context of over 150 paintings, posters, wood block prints, magazines and decorative arts. Although many of the items have never been previously exhibited in Australia, most are now in the collection of the National Gallery of Victoria, with many specifically acquired for this exhibition.
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
In Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie currently showing at the National Gallery of Australia, viewers are invited to share a journey through the history of modern art from across the globe.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
An exhibition 50 years in the making, Auto-Photo: A life in Portraits currently on display at RMIT Gallery, celebrates the life of Alan Adler, one of the oldest and longest-serving photobooth technicians in the world.
Artists communicate across space and time in the expansive inaugural exhibition, 65,000 Years: A Short History of Australian Art at the newly renovated Potter Museum of Art.
A major exhibition charts the ingenuity and creative spirit coming out of the Yirrkala community across time. In collaboration with Buku-Larrŋgay Mulka Art Centre,Yolŋu Power: the art of Yirrkala is now showing at the Art Gallery of New South Wales.
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Multidisciplinary artist Tara Marynowsky reveals where she finds inspiration, the best time of day for creating and what we can expect to see in her current solo show Cave at Edwina Corlette Gallery.
