This year women have won all three awards in the National Photographic Portrait Prize including the top prize, the Highly Commended award and the Art Handlers’ Award, which is selected by staff at the National Portrait Gallery (NPG).
Alana Holmberg took out the $30,000 National Photographic Portrait Prize with her colour portrait of an almost nude heavily pregnant woman, Greta in her Kitchen, 36 weeks. Holmberg also was awarded $22,000 worth of Canon equipment.
The 2019 National Photographic Portrait Prize was judged by Hoda Afshar, a Melbourne-based photographer who won in 2015; curator of photography at the National Gallery of Australia Anne O’Hehir; and Dr Christopher Chapman, senior curator at the NPG.
Chapman said of Holberg’s winning work, “This unconventional portrait is quiet and contemplative. The judges agreed that a compelling portrait photograph could be one that conveys a reflective moment experienced by many. The quality of light, the composition of the image and the subtle communication of the narrative combine to create an inner world.”
The Highly Commended work, Sumbawa pride – life on a boat with eleven kids by Alex Vaughan, also depicts motherhood. In her black-and-white photo, Vaughan focussed on a woman nursing an infant as the still centre of a boisterous family.
“The judges agreed that this is a joyous family portrait,” Chapman said. He then added, “Both images possess a cinematic quality.”
The Art Handlers’ Award went to Elizabeth Looker for her colour portrait of a woman in a see-through dress, A Calm So Deep.
Works by all 39 finalists are on show at the National Portrait Gallery until 7 April.
Voting for the People’s Choice Award closes 25 March.
National Photographic Portrait Prize
National Portrait Gallery (NPG)
23 February – 7 April
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
Developed in 2022 by Artback NT as part of Apmere Mparntwe—the Australian Ceramics Triennale— touring exhibition Clay on Country, showing now at New England Regional Art Museum, showcases the diversity of ceramics in the Central Desert.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
