The 1967 referendum was Australia’s most unanimous ever, and a landmark of Aboriginal political history. A 90 per cent majority voted to amend the constitution, giving Aboriginal people unmitigated citizenship and allowing the government to legislate specifically for Aboriginal interests. Fifty years on, curator Clothilde Bullen has sought perspectives and remembrances about the referendum from Aboriginal arts communities around WA, including Warringarri, Warmun, Mangkaja, Warlayirti, Warakurna, Yamaji, Martumili and Noongar artists.
While status and service benefits would flow from the referendum, a surprising number of Aboriginal people found they were affected adversely or not at all. After fair pay was instated, Noongar shearers in the South West and pastoral workers in the Kimberley were driven away, off their home country, in favour of cheaper labour. Elsewhere, the high level policy never reached the ground. “The Martumili Mob told me their circumstances didn’t change at all,” says Bullen. “It reminded me of Chicken Little, crying ‘the sky is falling!’ While we celebrate 50 years, we also need to consider what the real, sometimes unexpected impacts have been.”
A crowd of carved Balga shafts collected by Noongar artist Sharyn Egan, titled The Nullians, articulates this gulf. At first the carvings seem identical, but closer inspection reveals an array of unique designs.
Underpinning the exhibition are expressions of the “uninterruptible” nature of Aboriginal connection to country. While legal citizenship was important, many communities felt their custodianship of country a more immediate sort of citizenship, predating and unswayed by any governance. Live sand animations by Mangkaja artist Mervyn Street give a direct account of his belonging and responsibility to the land where he grew up and drove cattle, using only his hands and the dusty earth itself.
When the Sky Fell: Legacies of the 1967 Referendum
Perth Institute of Contemporary Arts
2 July – 20 August
Until 2026, Wanneroo Regional Art Gallery will be showing 53 original artworks by one of the most famous artists of the 20th century: Andy Warhol. Andy Warhol ICONS includes famous works such as Elvis (1963), Campbell’s Soup Cans (1968) and Marilyn (1967).
For the 24th Biennale of Sydney, Paris-based Fondation Cartier has commissioned 14 new works by Indigenous artists across the globe, curated by renowned Kuku Yalanji artist, Tony Albert.
From revamped industrial sites to brand new spaces in Sydney, to openings in Adelaide, Melbourne, Cottesloe and Darwin—across Australia there’s a flurry of new and reopening gallery activity.
In 1841, the women aboard a British convict ship crafted a large-scale quilt known as ‘The Rajah quilt’. It’s one the most requested items from the National Gallery of Australia’s collection—and it’s now showing alongside a further 21 quilts, many crafted by women.
“It’s a call for the celebration of the multiplicity of perspectives, and the gathering of different viewpoints.” Ahead of the Biennale’s opening this weekend, we talk with long-time collaborators Cosmin Costinaș and Inti Guerrero about how this year’s Biennale is one of celebration, not fatalism.
Congratulations to Ellen Dahl, who has won the $30,000 2024 National Photography Prize for her work, Four Days Before Winter, a four-part piece exploring the devastating effects of climate change on the Norwegian archipelago of Svalbard.
