We regret to inform you…
“We regret to inform you… that, despite receiving only a few entries of pretty average quality, you still didn’t win the life-changing $250,000 art prize.” Illustrator Oslo Davis looks at the sting of rejection.
Suggested Reading

Khaled Sabsabi to represent Australia at the 61st Venice Biennale: “We need a way forward to exist and co-exist.”
Khaled Sabsabi, the renowned artist known for poignant installations inspired by the language of spiritual and political lineages will represent Australia at next year’s 61st Venice Biennale.
Steve Dow

Windows to the world: a conversation with Glen O’Malley
Queenslander Glen O’Malley stands as a key figure among a generation of photographers who depicted the domestic lives of Australians in the 1970s and 1980s. In an interview with Barnaby Smith, he discusses the landmark 1988 show Journeys North, and QAGOMA’s current exhibition Suburban Sublime: Australian Photography.
Barnaby Smith

Pure Shores: On the allure of Henry Roy’s Impossible Island
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
Michael Sun

Shedding light with Roberta Joy Rich
For La Trobe University’s Biannual Façade Commission, artist Roberta Joy Rich brings the dark corners of archival material into the light. On the glass frontage of the La Trobe Art Institute in Bendigo, Rich has created a work using sound, image and text to explore the South African diaspora.
Briony Downes

The major exhibitions open in each capital city this summer
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Art Guide Australia

65,000 Years brings truth telling to art history
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
Jane O'Sullivan
Sign up to our weekly newsletter
You’ll be delivered the latest in art news, features and interviews, plus our ‘Top 5 Exhibitions’, sent straight to your inbox.