We regret to inform you…
“We regret to inform you… that, despite receiving only a few entries of pretty average quality, you still didn’t win the life-changing $250,000 art prize.” Illustrator Oslo Davis looks at the sting of rejection.
Suggested Reading
The rhythm of creating
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Sally Gearon
The ecstatic visions of Isaac Julien
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
Michael Sun
Scaling new heights
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
Michelle Wang
Rob McHaffie hones in on homelife
Melbourne-born figurative artist and ceramicist Rob McHaffie takes a global view of human idiosyncrasy. His biggest exhibition to date, now showing at Bendigo Art Gallery, covers over a decade of his painting practice.
Steve Dow
NGV’s Reko Rennie retrospective asks whether he should be considered Australia’s Keith Haring
First Nations artist Reko Rennie possesses the gift of creating memorable images that are simultaneously puzzling, intriguing and entertaining.
Sasha Grishin
Emma Phillips on the building blocks of a practice
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
Josephine Mead
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