“We regret to inform you… that, despite receiving only a few entries of pretty average quality, you still didn’t win the life-changing $250,000 art prize.” Illustrator Oslo Davis looks at the sting of rejection.
Suggested Reading
Singing Spears Home
Mungari, a landmark exhibition at Sydney’s Chau Chak Wing Museum, marks the return of the Gweagal spears to their ancestral country while speaking to the constellation of relationships that knit together people, objects and place.
Tyson Frigo
Coming into view
Revealed: New and Emerging WA Aboriginal Artists is an annual celebratory exhibition of Aboriginal artists from across Western Australia. Now showing at Perth Institute of Contemporary Arts, the event has a community spirit and passion that grows each year.
Gok-Lim Finch
Julie Fragar on “painting in the first person”
With a current survey exhibition at Rockhampton Museum of Art chronicling 23 years of painting and photography, Julie Fragar talks about creative influences and what it’s like to observe a Supreme Court murder trial.
Briony Downes
Proof-sheet of an era: examining the golden age of documentary photography
Examining the documentary photography of the 1950s to 1980s might seem like an exercise in looking back, but as Jane O’Sullivan discovers, Imagining a Real Australia calls loudly to the present. It’s full of arresting works on subjects that still speak to us today, from land rights to war and feminism.
Jane O'Sullivan
From the archive: art and motherhood
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
Art Guide Australia
Senses and symbols with Mitch Cairns
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Art Gallery of New South Wales, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.