“We regret to inform you… that, despite receiving only a few entries of pretty average quality, you still didn’t win the life-changing $250,000 art prize.” Illustrator Oslo Davis looks at the sting of rejection.
Suggested Reading
Serwah Attafuah: a powerful and most welcome voice in contemporary Australian art
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Dominic Redfern
Anne Dangar: Uncovering a Cubist pioneer
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
Camilla Wagstaff
Time scales
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
Barnaby Smith
Théo Mercier’s sites unseen
Equal parts monumental and fleeting, the sand sculptures of French artist Théo Mercier chart the histories—beyond our lines of vision—that a landscape reveals and conceals. Mercier’s MIRRORSCAPE is now showing at Mona.
Briony Downes
Embracing darkness with Akil Ahamat
In their debut solo exhibition Extinguishing Hope, now showing at UTS Gallery, Akil Ahamat uses darkness—both literal and metaphorical—to examine what can be gained when everything is lost.
Bec Gallo
Kate Vassallo draws the line
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.