Jeffrey SMART, Australia/Italy b.1921 d.2013, The traveller, 1973, synthetic polymer paint and oil on canvas, 100.5 x 116cm. Purchased 1975 with the assistance of an Australian Government Grant through the Visual Arts Board of the Australia Council.
JMW TURNER, England b.1775 d.1851, (The Temple of the Sibyl, Tivoli) c.1794-97, grey and brown watercolour washes over pencil on laid paper, 39.3 x 26.6cm. Purchased 1977.
Takahashi HIROAKI, Japan b.1871 d.1945, Trading vessels at anchor, Inatori Harbour, Izu Province, c.1930, colour woodblock print on paper, 26.2 x 38.8cm; 24.2 x 36.4cm (comp.). Purchased 1997 with funds from the International Exhibitions Program.
Gwyn HANSSEN PIGOTT, Australia b.1935 d.2013, Travellers no. 3, 2001, Limoges porcelain, wheelthrown, 26 parts: 31 x 200 x 17cm (installed). Purchased 2001, Queensland Art Gallery Foundation Grant.
Craig KOOMEETA, Australia b.1977, Apelech brothers, 2002, carved milkwood with natural pigments, left figure: 112 x 35 x 15cm; right figure: 124 x 38 x 11cm. Purchased 2002, Queensland Art Gallery Foundation.
Danie MELLOR, Australia b.1971, Whether you like it or not, 2005, pencil on Magnani paper, 71 x 101cm. Purchased 2005.
In a time of global unrest and mass migration, Travellers looks, with a philosophical eye, at the way humans have moved around the world. In the 17th and 18th centuries, ‘the grand tour’ was seen to complete the education of privileged young gentlemen while, in recent years, travel has been made more accessible than ever before.
While travel may offer change and new experiences and opportunities for discovery for Australian travellers, the forced migration of the hundreds of thousands of people in Europe is also acknowledged in a selection that includes artists as diverse as JMW Turner and Craig Koomeeta.
McKay says, “I wanted to balance the idea of being empowered and wandering the world, to contrast this perception with forced migration, and those who are vilified for it. These travel experiences might reshape a sense of identity, and give a stronger insight into who we are. Together they raise questions of independence and limitation; the mutability of identity; and the potent experience of encounter and the element of chance in existence.”
Paintings by Jeffrey Smart, Jan Senbergs, Elwyn Lynn and Dadang Christanto, sculpture by Koomeeta and Gwyn Hansson Pigott, and film by Liam O’Brien, are further extended by netsuke, Japanese watercolours by Takahashi Hiroaki and the Chinese burial jar earthenware tradition. Travel may be within the home, between this world and the next, forced or recreational, traumatic or pleasurable. These concepts and more are explored in an exhibition that is diverse and stimulating.
Travellers
Queensland Art Gallery | Gallery of Modern Art
1 July – 29 October
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
Waanyi artist Gordon Hookey has been creating artwork for more than three decades. Describing his style as pictograms of a scenario, with images and symbols connecting a sprawling narrative, Hookey’s work, which is now showing at Plimsoll Gallery, is imbued with elements of activism, pop culture and lived experience.
Five Acts of Love, a new exhibition at ACCA, maps the space in which memory, intimacy and resistance intersect.
