Finding New Spaces Together
‘Vádye Eshgh (The Valley of Love)’ is a collaboration between Second Generation Collective and Abdul-Rahman Abdullah weaving through themes of beauty, diversity and the rebuilding of identity.
Nan Goldin is known for her intimate depictions of her friends and chosen family, which have become a snapshot of many late 20th century subcultures—from post-punk and new-wave to the post-Stonewall queer communities of 1980’s New York City.
The Ballad of Sexual Dependency began as a slide show, transitioned into book form in 1986, and is now showing as an exhibition described by Goldin herself as her ‘public diary’. “For me it is not a detachment to take a picture,” she says. “It’s a way of touching somebody—it’s a caress, I think that you can actually give people access to their own soul.”
Victorian audiences are now getting a chance to view the show, which is touring from The National Gallery of Australia to its new home in the Art Gallery of Ballarat. “Goldin has been incredibly influential in contemporary culture, as both an artist and an activist.” says gallery director Louise Tegart. “In this important series, Goldin documented her life and that of her circle of friends to create images that are powerful, poignant and that reveal a cultural milieu that was on the edge and vulnerable. This revelatory body of work influenced a generation. We are very excited to present it in Ballarat, together with some exciting events inspired by the exhibition.”
View, in pictures, Nan Goldin’s love letter to her community.
Nan Goldin, Cookie and Vittorio’s wedding, New York City, 1986 – web version. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Dieter on the train, Sweden, 1984 – web version. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Vivienne in the green dress, New York City, 1980, Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Millie with the cheeseburger radio at home, New York City, 1980 – web version. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Mark tattooing Mark, Boston, 1978 – web version. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Nan and Brian in bed, New York City, 1983. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
Nan Goldin, Suzanne in the green bathroom, Pergamon Museum, East Berlin, 1984 – web version. Dye destruction photograph on paper. National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia’s 40th anniversary, 2022. Courtesy the artist.
‘Vádye Eshgh (The Valley of Love)’ is a collaboration between Second Generation Collective and Abdul-Rahman Abdullah weaving through themes of beauty, diversity and the rebuilding of identity.
They might have been continents apart, but visual artists Man Ray and Max Dupain were aligned in their experimental vision, as a major exhibition at the Heide attests.
In its 34th year, Primavera—the Museum of Contemporary Art Australia’s annual survey of Australian artists 35 and under—might be about to age out of itself, but with age it seems, comes wisdom and perspective.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
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