Willoh S. Weiland smartphone selfie.
Curious, mystical, humourous and bittersweet, Willoh S. Weiland uses her smartphone to give us a sense of living and working in Hobart.
Taken during the national lockdown in May 2020, and featured in our July/August magazine, Weiland is one of ten profiled artists who documented their life with their smartphone, detailing moments in life: taxi receipts, cemeteries, Shell oil cylinders. Read our full profile on Weiland, where she discusses harnessing performance to explore power and feminism.
Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Pia Murphy leans into curiosity for her latest exhibition at Nicholas Thompson Gallery. Look What I Found is “referring to that experience in childhood of discovering surprising things in nature.” It’s a methodology Murphy uses in her practice, working with the sole intention of honest discovery.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The works of Thom Roberts are immediate in their charm, yet underpinned by poignant reflections on identity, perspective and belonging. His exhibition at the National Portrait Gallery in Canberra marks the artist’s first major solo show, bringing together more than a decade’s work spanning painting, installation, sculpture, animation, and works on paper.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
