Willoh S. Weiland smartphone selfie.
Curious, mystical, humourous and bittersweet, Willoh S. Weiland uses her smartphone to give us a sense of living and working in Hobart.
Taken during the national lockdown in May 2020, and featured in our July/August magazine, Weiland is one of ten profiled artists who documented their life with their smartphone, detailing moments in life: taxi receipts, cemeteries, Shell oil cylinders. Read our full profile on Weiland, where she discusses harnessing performance to explore power and feminism.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
Gabriela Burkhalter’s The Playground Project at Incinerator Gallery reinvents the typically serious installation space, inviting children to play, reminding us of its importance within the arts.
A new exhibition by Melbourne painter Lisa Radford is animated by a deep interest in the way ideas circulate—and the connections between people that unfold over time.
‘North Terrace: worlds in relief’ showing at Samstag Museum of Art, invites viewers to reflect on the complicated legacies of the cultural institutions that line Adelaide’s North Terrace.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
