Living and working from Mimili in the APY Lands, Robert Fielding, via his smartphone, shows us the beauty of his surrounds.
Featured in our July/August magazine, these images are an intimate look into Fielding’s practice and home, capturing the poignancy of the South Australian landscape. Read our full profile on Fielding, where he discusses how his practice, which blends innovation with traditional forms, is always about telling the stories of others.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
Vipoo Srivilasa is a Melbourne-based, Thai-born Australian artist whose ceramic artworks emanate a sense of positivity, playfulness and joy. In an interview with fellow ceramicist Sassy Park, he discusses his early introduction to the medium, curating the Australian-Asian ceramic exhibition Generation Clay, and his upcoming project re/JOY.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
In a conversation with Lauren Carroll Harris for her survey exhibition at the Museum of Contemporary Art, Julie Rrap discusses 40 years of challenging the male gaze, and the cultural invisibility of the ageing female body.
