Photograph by Lawrence English for Art Guide Australia.
Through the stark aesthetic of his smartphone images, Lawrence English provides a striking take on Brisbane life during lockdown.
Taken during May 2020, and featured in our July/August magazine, Lawrence is one of ten profiled artists who documented their life with their smartphone, detailing his black-and-white take on his surrounds. Read our profile on English, where the artist discusses how he creates art with sound, and why listening is so important.
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Dangerously Modern: Australian Women Artists in Europe 1890–1940, co-curated by the Art Gallery of South Australia and the Art Gallery of New South Wales, celebrates 50 Australian women artists who travelled to Europe during the early 20th century.
Mungari, a landmark exhibition at Sydney’s Chau Chak Wing Museum, marks the return of the Gweagal spears to their ancestral country while speaking to the constellation of relationships that knit together people, objects and place.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
