Clothes drying on an inside hanger, golden sunsets, a postman in mid-delivery, and an elderly couple embracing – these are some of the images emerging from peoples’ experience of self-isolation, which are being curated and share under the Instagram project Mass Isolation Australia (or #massisolationAUS).
Curated by the Ballarat International Foto Biennale, the Mass Isolation project asks viewers in Australia, and most pertinently, at least right now, in Melbourne, to share their photographs of self-isolation with the tags #massisolation and #massisolationAUS. From here, the specially created Mass Isolation Aus Instagram then shares a selection of these images – it’s a humble and poignant way to come together, via photography, during this moment.
Below, we’ve gathered a selection of images shared via the project, showing intimate moments of isolation. Find out how you can participate in the project.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
Artists have long been consumed with what we eat, seen appetites as a metaphor for nourishment and vulnerability. But as Lee Tran Lam finds out, the new wave of collaborations between the worlds of art and food signals a growing cultural desire to break down barriers—and forge new connections in unexpected ways.
Material concerns such as housing can determine an artist’s wellbeing and sense of possibility—an idea that is often overlooked by romantic ideas of art making that are out of sync with our current reality. How can artists navigate a society in which reliable shelter is elusive? And can art itself help us reimagine what it means to achieve secure footing in an increasingly volatile world? Jo Higgins investigates.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.
