Aida Tomescu, Messiaen, 2013, oil and pigments on canvas, 184 x 154 cm. Courtesy of the artist.
Anne Zahalka, Untitled (figurepillar), 2015, pigment ink on rag paper. 100 x 66.6 cm. Courtesy the artist and ARC ONE Gallery, Melbourne.
Anne Zahalka, Untitled (stairs light-well), 2015, pigment ink on rag paper, 100 x 66.6 cm. Courtesy the artist and ARC ONE Gallery, Melbourne.
Khadim Ali, Untitled from the Transitions – Evacuation series, 2014, merino wool, afghan wool. Courtesy the artist and Milani Gallery, Brisbane. Photo credit Carl Warner.
Herzog & De Meuron, and Ai Wei Wei, Landscape, 2012, hand sculpted painted and fired porcelain, made using traditional methods in Jingdezhen, China, 25.5 cm diameter, 3 cm high. Courtesy of The Gene & Brian Sherman Collection, Sydney.
Khadim Ali, Untitled from the Transitions – Evacuation series, 2014, watercolour, gouache, ink and gold leaf on wasli paper, 6 parts, 137 x 159 cm overall (framed); 68.5 x 53 cm each. Courtesy the artist and Milani Gallery, Brisbane.
Guo Jian, Trigger happy 15, 2008, oil on canvas, 152 x 213 cm. Courtesy the artist and ARC ONE Gallery, Melbourne.
Refugees at Casula Powerhouse sheds light on to one of the most highly publicised areas of Australian politics: the ongoing refugee crisis. Each of the 22 artists exhibiting have refugee backgrounds, spanning several continents and conflicts. Curator Toni Bailey views this topic as a “blindingly obvious” choice for an exhibition, saying that the statistics on refugees speak for themselves. “Australia only receives 0.29% of the world’s refugees and over 90% of people who arrive here by boat are found to be genuine refugees,” she explains, “and we are legally bound to protect them.”
High profile international artists such as Yoko Ono, Anish Kapoor, Mona Hatoum, Marc Chagall, Lucian Freud and Ai Wei Wei will exhibit next to local artists such as Guo Jian, Inge King, Ah Xian, Aida Tomescu and Anne Zahalka. In many cases it will be the first time some of their works have been seen in Western Sydney. Bailey comments, “My hope is that hearing about how many of these now famous artists escaped life-threatening situations by being incredibly brave and showing enormous strength will remind us that we should be treating people with the compassion they deserve.”
In Refugees, the stories behind the works are as significant as the works themselves. Yoko Ono was exiled from Tokyo during the firebombing of 9 March 1945; Frank Auerbach’s parents went on to die in a Nazi concentration camp after they put him on a train to the UK when he was just seven years old; and Dinh Q. Lê escaped from the Khmer Rouge in 1978 when he was only 10 years old.
“By talking about the courage and the strength of these artists and celebrating what they have been able to achieve I’m hoping there will be constructive and positive conversations that happen,” Bailey says, “But at the same time, I don’t want to shy away from the confronting conversations: I want to address the misconceptions and face up to the ugly truths.” Refugees is a depiction of strength and courage, challenging its audiences while encouraging compassion and understanding.
Refugees
Casula Powerhouse
30 July – 11 September
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
In her audacious new exhibition, the Filipina Australian artist Marikit Santiago skewers the myths of the western canon and give pleasure and power—as experienced by women of colour—an arresting new form.
French-born/Belgium-based Laure Prouvost animates her first major Australian survey with her hallmark absurdism. ‘Oui Move In You’ is a touring exhibition, and is now showing at the Perth Institute of Contemporary Art.
For the Auckland-based artist Yona Lee, who has a new commission at the Melbourne Art Fair, function is a source of formal possibility and ordinary material moulds space in extraordinary ways.
An exhibition now showing Adelaide Contemporary Experimental—with the likes of Atong Atem, Jacob Boehme and Marikit Santiago—explores the concept of family through the lens of First Nations and culturally diverse artists.
The intricate paintings of Nusra Latif Qureshi, now showing at the Art Gallery of New South Wales, remake and reroute imperial narratives and trace the borders of the shifting self.
