“Our funding provider, who funds art from heaven…” When arts funding feels akin to faith, illustrator Oslo Davis recites ‘The Artist’s Prayer’.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
The glass sculptures of Dale Chihuly, now on display at Adelaide Botanic Garden, speak to the power and pitfalls of visual pleasure in an increasingly contested world.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
For Dane Mitchell, Slvalbard—a mysterious archipelago north of the Arctic circle—gives the tensions that shape our ecological moment a new and intriguing form.
