Read a full transcript of the interview here.
“I would ask you the question, does it help to feel scared?” wonders Lucy McRae.
How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close—a podcast dedicated to considering the anxieties and opportunities emerging in the arts in our new COVID-19 world—artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we’re headed next.
While Cyrus talks about loss and transformation, sitting with anxiety, and her experience of migrating from Hong Kong over 15 years ago, Lucy discusses what it’s like in Los Angeles, the importance of resilience and optimism, the fallibility of human bodies, and the future of art, biology and technology in our ‘new normal’.
As Lucy sums up, “There’s a potential revolution rendering in the background, and the opportunity that comes out of hitting rock bottom, despite the discomfort and the suffering, is a really great to create change and transformation.”
You can subscribe to the Art Guide podcast on iTunes or Spotify, and listen back to the first episode of Faraway, so close with artist Yvette Coppersmith and curator/director Alexie Glass-Kantor on solitude, and episode two with artists Tai Snaith and Ross Coulter on creating and parenting.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
