
Elysha Rei’s windows into history
Elysha Rei’s exhibition Shirozato to Shinju (White Sugar and Pearls) at Umbrella Studio Contemporary Arts, Townsville QLD, explores the interconnected histories of the Japanese diaspora in Australia.
Nici Cumpston, Art Gallery of South Australia, Adelaide, 2018; photo: Ben Searcy.
Installation view 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, featuring works by Vincent Namatjira, Art Gallery of South Australia; photo: Saul Steed.
Installation view 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, featuring Kwementyay (Gladdy) Kemarre, Dean Cross and Yarrenyty Arltere Artists, Art Gallery of South Australia; photo: Saul Steed.
Installation view 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, featuring Namorrorddo, Bob Burruwal and Lena Yarinkura, Art Gallery of South Australia; photo: Saul Steed.
Installation view 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, featuring Imitjala Curley, Witjiti George, Barbara Mbitjana Moore, Peter Mungkuri, Alec Baker and Yaritji Young, Art Gallery of South Australia; photo: Saul Steed.
2017 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Official Opening, Art Gallery of South Australia, Adelaide; photo: John Montesi.
Installation view: 2017 Tarnanthi: Festival of Aboriginal & Torres Strait Islander Art, Art Gallery of South Australia, Adelaide; photo: Nat Rogers.
Alec Baker, Eric Kumanara Barney, Freda Brady, Moses Brady, Michael Bruno, Angela Burton, Cisco Burton, Kunmanara (Hector) Burton, Noel Burton, Pepai Jangala Carroll, Taylor Wanyima Cooper, Margaret Ngilan Dodd, Sammy Dodd, Jimmy Donegan, Maureen Douglas, Kunmanara (Ronnie) Douglas, Stanley Douglas, Arnie Frank, Witjiti George, Kunmanara (Gordon) Ingkatji, Adrian Intjalki, Rupert Jack, Willy Kaika Burton, Nyurpaya Kaika Burton, Naomi Kantjuriny, Brenton Ken, Freddy Ken, Ray Ken, Iluwanti Ungkutjutu Ken, Graham Kulyuru, Willy Muntjantji Martin, Errol Morris, Kevin Morris, Mark Morris, Peter Mungkuri, Vincent Namatjira, Tiger Palpatja, Mary Katatjuku Pan, David Pearson, Jimmy Pompey, Aaron Riley, Adrian Riley, William Tjapaltjarri Sandy, Priscilla Singer, Keith Stevens, Lydon Stevens, Bernard Tjalkuri, Lyndon Tjangala, Mr Wangin, Ginger Wikilyiri, Mick Wikilyiri, Mumu Mike Williams, Anwar Young , Carol Young, Frank Young , Kamurin Young, Marcus Young, Roma Young, Yaritji Young, Kulata Tjuta, 2017, Anangu Pitjantjatjara Yankunytjatjara Lands, South Australia, wood, spinifex resin, kangaroo tendon; Courtesy the artists and Ernabella Arts, Iwantja Arts, Kaltjiti Arts, Mimili Maku Arts, Ninuku Arts, Tjala Arts, Tjungu Palya, APY Art Centre Collective, installation view: TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, 2017, Art Gallery of South Australia, Adelaide, photo: Saul Steed
“Each curator is unique like every artist is unique, I believe,” says Nici Cumpston, a leader in the Australian arts who holds the dual positions of Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of South Australia and Artistic Director of the annual TARNANTHI festival. Not to mention that Cumpston, a Barkindji woman of Afghan and European descent, is also an artist, educator and writer.
In this podcast, the second of four-part series exploring contemporary curating, Cumpston discusses how for her curating is a mixture of aesthetic, cultural, political and educative roles, at the centre of which lie relationships and conversation. “For me I need to have a good understanding of the artist’s work,” she says. “I need to build a relationship with the artist that I’m working with and I like to give them the opportunity to excel themselves.” In working with collections and artists, Cumpston has curated major shows including Desert Country, exhibited at AGSA in 2011 before touring the country, as well as co-curating the lauded survey show John Mawurndjul: I am the old and the new, exhibited at the Museum of Contemporary Art.
Cumpston’s career has recently culminated in TARNANTHI, an Adelaide-wide festival that provides a platform for Aboriginal and Torres Strait Islander artists from across the country to embark on new works and share important stories. When Cumpston talks through the creation and importance of the festival she explains, “It’s about really breaking down stereotypes and really giving people an opportunity to learn directly from the artists themselves about their stories. With hundreds of different language groups across this country there are so many different ways of being and different creation stories, and we’re not just one nation – we’re many different people.”
In the podcast Cumpston also discusses her ‘pre-art’ life, how she found herself at the Art Gallery of South Australia, the larger aspirations behind her curating, and the changes she’s noticed in the arts as an Indigenous curator during the last decade.
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Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse Warren.