Paper Tigers is an exhibition of some 200 posters and other printed ephemera from the 1970s; ranging from posters for Mental as Anything gigs to anti-Vietnam War protests. It’s part of the broader Sedition festival which celebrates the creativity, political passion and spirit of dissent that fomented in Darlinghurst during that decade. “But it’s not an exercise in nostalgia or a history lesson,” says Lesa-Belle Furhagen, co-instigator of what she and Toby Creswell hope will become an annual event. Except it kind of is.
“In Sydney we don’t really take much care of our history,” says Creswell. “I think Melbourne honours their cultural heroes,” adds Furhagen, “but we tend to move on and not acknowledge our cultural legacy. There was this intersection between creative disciplines here at the time, whether it was music, art, film or theatre. A sort of perfect storm. So revisiting that is a reminder that we don’t need to just have one view.”
Another lesson that Paper Tigers points to is the cyclical nature of history.
The issues that range across the brightly screen-printed posters in the show – a woman’s right to choose, the senselessness of war, the inequity of racism, the need to protect the environment – are, as Furhagen puts it, “still front and centre in public conversation.”
Without resorting to nostalgia for a simpler time when rent in Sydney was cheap and love was free (at least from the risk of HIV), Furhagen and Creswell hope that these posters will inspire a new generation. “A poster is kind of an incitement to action,” explains Creswell. And Furhagen says, “We want to remind people that people got up and spoke up. It was a significant time.”
Paper Tigers: Posters From Sydney’s Long ’70s
National Art School Gallery
30 August—12 October
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
