Finding New Spaces Together
‘Vádye Eshgh (The Valley of Love)’ is a collaboration between Second Generation Collective and Abdul-Rahman Abdullah weaving through themes of beauty, diversity and the rebuilding of identity.
‘Vádye Eshgh (The Valley of Love)’ is a collaboration between Second Generation Collective and Abdul-Rahman Abdullah weaving through themes of beauty, diversity and the rebuilding of identity.
They might have been continents apart, but visual artists Man Ray and Max Dupain were aligned in their experimental vision, as a major exhibition at the Heide attests.
In its 34th year, Primavera—the Museum of Contemporary Art Australia’s annual survey of Australian artists 35 and under—might be about to age out of itself, but with age it seems, comes wisdom and perspective.
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Wollongong Art Gallery, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
Embodied, the first iteration of Arts Project Australia’s new exhibition series, Limitless, sees artists Bronwyn Hack and Mark Smith create their most ambitious works yet, with the body at the centre of it all.
