The End of Time. The Beginning of Time, which closed in June, was the final show at Gertrude Contemporary in the street that gave the art gallery its name. It’s difficult to avoid being histrionic – anyone tied to Melbourne’s art world in the last three decades must feel just a twang of nostalgia for the end of time. We must remember though, dear Gertrude’s moving, not deceased. The street, located in Fitzroy, was a baffling melange of art, dreams and desperation in its heyday, and the gallery had been the golden buckle in the belt since 1985.
Now Gertrude’s picking up its skirts and shifting north to the scent of gentrification in Preston South’s High Street.
The gallery will unfasten its doors for Open Melbourne weekend (29–30 July) – including those leading to the new artists’ digs. The first cab out of the rank is Octopus 17: Forever Transformed; a group exhibition curated by Next Wave artistic director, Georgie Meagher.
The show casts a critical eye to one of the most highly valued qualities of our time – resilience. Meagher will bring together works “which both embrace and reject this concept” including a selection from Tony Albert’s Optimism series and an installation by French-Guyanese artist Tabita Rezaire.
The exhibition, she says, “challenges the efficacy of quickly bouncing back and explores alternative frames of reference that encompass resistance, decolonisation, perseverance, subversion and optimism.” The title itself was taken from the text for the final show at old Gertrude, pointing “to the new chapter in Gertrude’s history” and most pertinently, “a scientific definition of resilience, the capability of an object to resume its original shape after deformation,” says Meagher.
Octopus 17: Forever Transformed
Gertrude Contemporary (Preston South)
29 July – 9 September
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
rhythm wRites, a new exhibition at QUT Art Museum, spans 30 years of Bigambul artist Leah King-Smith’s manifold art practice, covering painting, photography, sound and animation.
Whether beloved pets or superstitious omens, animals have always existed in art. The Ian Potter Centre: NGV Australia’s latest exhibition is paying tribute to two of the most beloved animal figures: cats and dogs.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
