Piercing the veil
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
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Pierre Mukeba, Impartiality 2018, brush-tipped pen, printed fabric on cotton, 245.0 x 270.0 cm. National Gallery of Victoria, Melbourne. Purchased with funds donated by Anne Ross, 2018 © Pierre Mukeba, courtesy of GAGPROJECTS.
Jeff Koons, Venus 2016–20 (render), mirror-polished stainless steel with transparent colour coating, 254.0 x 144.5 x 158.4 cm, Edition 1/3 + 1 A/P, National Gallery of Victoria, Melbourne. Purchased with funds donated by Loti & Victor Smorgon Fund, Leigh Clifford AO and Sue Clifford, John Higgins AO and Jodie Maunder, Paula Fox AO and Fox Family Foundation, Professor AGL Shaw AO Bequest and NGV Foundation, 2020 © the artist and Gagosian.
Misaki Kawai, Arty 2011, Mixed media, 400.0 x 650.0 cm. Courtesy of the artist and Malmö Konsthal, Malmö, Sweden.
Nari Ward, The last words of John Brown (red version) 2018, shoelaces, 121.9 x 467.4 x 10.2 cm. National Gallery of Victoria, Melbourne.
Soheila Sokhanvari, Fall on our knees 2016, from the Paradise Lost series 2014–16, crude oil on paper, 21.5 x 29.5 cm (sheet) National Gallery of Victoria, Melbourne. Purchased NGV Foundation, 2018 © Soheila Sokhanvari, courtesy of ARTECO Gallery.
Fallen Fruit (artist collective), United States of America est. 2004, David Allen Burns, American 1970, Austin Young, American 1966, Natural History 2020, digital print on Phototex, Commissioned by the National Gallery of Victoria, Melbourne. Natural History 2020 is supported by Nicholas Perkins and Paul Banks. Collection of the artists.
Angela Tiatia, Narcissus 2019, pigment print on cotton rag, 160.0 x 244.0 cm © Courtesy the artist and Sullivan + Strumpf, Sydney.
Good news for Melbourne with the National Gallery of Victoria (NGV) announcing today that the NGV Triennial is due to open on 19 December. The inaugural NGV Triennial, first staged in 2017, was the most visited exhibition in the NGV’s 157-year history. This year’s Triennial will feature 86 projects by more than 100 artists, designers and collectives from around the world.
Traversing all four levels of NGV International, the 2020 NGV Triennial will highlight crucial issues facing contemporary society today. Through a diverse selection of works including sculpture, painting, photography, film, fashion, jewellery, installation, architecture and more, visitors will be able to explore the exhibition across four broad themes: Illumination, Reflection, Conservation, and Speculation.
There will be 34 new world-premiere works especially commissioned for the exhibition with a number of highlights including: a large-scale video work by Turkish artist Refik Anadol which uses artificial intelligence (AI), machine learning and quantum computing to visualise digitised memories of nature; 15 bark paintings and nine hollow poles by Yolngu artist, Dhambit Mununggurr, depicting Country in her signature shades of acrylic blue; and a chapel-like structure by French artist JR will shine a light on the ecological decline of the Darling River, following a visit by the artist to the Sunraysia agricultural region of Victoria and New South Wales earlier in the year.
On announcing the 2020 NGV Triennial, Tony Ellwood AM, director of the National Gallery of Victoria, said that it “offers visitors a significant opportunity to explore how we use art to express ourselves, communicate and consider the world as it is, while also asking how we would like it to be. Artists, designers and architects of the 21st century perform a vital role in giving form to our collective imagination, fears and aspirations. We are all living in a world in flux: there has never been a more important moment to celebrate human capability than now.”
NGV Triennial 2020
NGV International
19 December – 18 April 2021
Complete list of NGV Triennial 2020 artists, designers and collectives:
Adam Nathaniel Furman (b. England) & Sibling Architecture (Australia ), Adrian Piper (b. USA), Aïda Muluneh (b. Ethiopia), Alice Potts (b. England), Alicja Kwade (b. Germany), Angela Tiatia (b. New Zealand), Asinnajaq (b. Canada), Atong Atem (b. Ethiopia), Ayana V Jackson (b. USA), Bosco Sodi (b. Mexico), Bruce Gilden (b. USA), BTVV: Alessandro Bosshard, Li Taylor, Matthew Van Der Ploeg, Ani Vihervaara (Switzerland & Finland), Carnovsky (Italy), Cecilie Bendixen (b. Denmark), Cerith Wyn Evans (b. Wales), Clare Milledge (b. Australia), Dale Hardiman and Stephen Royce (Australia), Daniel Arsham (b. USA), David Bielander (b. Switzerland), Danielle Brustman (b. Australia), Des Lawrence (b. England), Dhambit Mununggurr (b. Australia), Diamond Stingily (b. USA), Elliot Bastianon (b. Australia), Erez Nevi Pana (b. Israel), Fallen Fruit (USA), Faye Toogood (b. England), Fecal Matter (Canada), Fred Wilson (b. USA), Frieda Toranzo Jaeger (b. Mexico), Girma Berta (b. Ethiopia), Glenda Nicholls (b. Australia), Guido Casaretto (b. Turkey), Hannah Brontë (b. Australia), Ilan El (b. Israel), Jeff Koons (b. USA), Jim Shaw (b. USA), Joi T Arcand (b. Canada), Jonathan Ben-Tovim (b. Zimbabwe), JR, b. France Julian Opie (b. England), Kengo Kuma & Associates (Japan) & Geoffrey Nees (b. Australia), Kim Sihyun (b. South Korea), Kiran Subbaiah (b. India), Lakin Ogunbanwo (b. Nigeria), Lara Schnitger (b. The Netherlands), Lee Ufan (b. South Korea), Liam Young (b. Australia), Liu Shiyuan (b. China), Lukas Wegwerth (b. Germany), Makiko Ryujin (b. Japan) & Michael Gittings (b. Australia), Matt Copson (b. England), Megan Cope (b. Australia), Misaki Kawai (b. Japan), Naama Bergman (b. Israel), Nari Ward (b. Jamaica), Natasha Matila-Smith (b. New Zealand), Patricia Urquiola (b. Spain), Phumzile Khanyile (b. South Africa), Pierre Mukeba (b. DRC), Pirjo Haikola (b. Finland), Porky Hefer (b. South Africa), Refik Anadol (b. Turkey), Richard Quinn (b. England), Rive Roshan (The Netherlands), Sabine Marcelis (b. The Netherlands), Sarah Waiswa (b. Uganda), Scotty So (b. Hong Kong), Siji Krishnan (b. India), Soheila Sokhanvari (b. Iran), Steven Rhall (b. Australia), Stuart Haygarth (b. England), Susan Philipsz (b. Scotland), Tabor Robak (b. USA), Talin Hazbar (b. Syria), Tomo Koizumi (b. Japan), Tomoaki Suzuki (b. Japan), Tony Albert (b. Australia), Tony Matelli (b. USA), Tromarama (Indonesia), Veronique Ellena (b. France), Vicki West (b. Australia), Yanni Florence (b. Australia), Yann Gerstberger (b. France)
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
In Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie currently showing at the National Gallery of Australia, viewers are invited to share a journey through the history of modern art from across the globe.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
With an approach to artmaking drawn from the “fieldwork of life”, twin brothers and artistic collaborators Man&Wah, who are now showing at 4A Centre for Contemporary Asian Art, use plant migration to explore duality and movement.
Marru translates to “becoming visible” in Danie Mellor’s ancestral Dyirbal language (of Far North Queensland). In his current exhibition Danie Mellor: marru | the unseen visible at Queensland Art Gallery, the title reflects the work’s gentle ruminations on the complexities of the history of colonisation entwined with personal memories.
Curator and proud palawa/pallawah woman, Dr Jessica Clark’s latest exhibition In the air at The Substation connects First Nations and non-First Nations artists in a response to human consumption and environmental destruction through reflection, resistance and redirection.
